An exclusive Live Webinar For students and alumni of icmp
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Alumni: please register with your full name
Writing For Film, TV and Games
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What To Expect
The Film/TV/Games Composer
How does a composer get the work? Who are they connected with in order to get work? How can you start your career in this field? Who could you be working with, now?
The Producer/Music Supervisor
How do they source the music they use? Do they work with 'new' and 'upcoming' writer/producers/composers? How did they start in the business? How could you start to engage with them?
Scott Marshall, Film/TV/Games Composer
Scott Marshall is an experienced Supervising Sound Editor, Re-Recording Mixer & Sound Designer who’s been working in the Film, Commercial, and Television industries for over 12 years. In that time he’s worked for many leading post production facilities and production companies and since 2008 has been running his own creative audio agency.
Recently he has also started working as an Immersive Audio
Creative and Consultant specialising in Spatial Audio Design for Virtual
Reality, 360 film, Augmented Reality Music, and so called ‘futures' productions.
He was also until recently Head of Post Production at SSR Music
School in Camden; London, training the next generation of audio
post production professionals.
Recent credits include:
Consequences AR an interactive Augmented reality
Audio experience for Bose Dev, Play Lines and Raindance Film Festival
using Bose AR Frames.
Supervising Sound Editor & Re-Recording Mixer for Feature
Film ‘Inmate Zero’ for Vertical Entertainment, mixed in Dolby Atmos
and released in theatres worldwide.
Sian Rogers, Senior Producer / Head Of Sync, Siren
Siân got a taste for the music industry, starting her career at XL Recordings / Beggars making copious, but rather wonderful, cups of tea before spending 3 years at EMI.
In 2012 Sian joined the SIREN team and quickly fell in love with the process of producing music to picture. She has since worked on global advertising campaigns for top agencies such as W&K, Droga5, BBH, adam&eveDDB, 72&Sunny and Ogilvy to name just a few.
As well as a vast array of high-end advertising syncs Sian has also been heavily involved in longer form music supervision including the BAFTA winning ‘Home’ & score supervising and producing the original score for ‘Kissing Candice’, which premiered at TIFF.
Sian currently sits on the Jury for D&AD and Creative Circle Awards 2020 & NYF Grand Jury 2020.